The City Mapped
Two new volumes from the Royal Irish Academy illustrate the enormous variety and detail of eighteenth and nineteenth century Dublin, with its fine streets and walks, alleys and stable lanes, barracks, watchhouses, infirmaries , penitentiaries and multifarious manufactories.
News from the Glen
The reissue of an ‘imaginative biography’ which first appeared in 1963 and which was written in the now defunct Tipperary Irish dialect reminds us of a time when Irish-language publishing was moving away from accounts of Gaeltacht life and beginning to favour modernism.
How to be a Dub
Is it sufficient to have been born in the capital to be a true Dub? What if your parents and grandparents were born there too, but on the middle class southside? Would this let you in or do you have to have been born within the sound of the Hill 16 roar and talk like dis?
Working Class Heroes
The ghosted autobiography of Roy Keane and a biography of England’s 1966 World Cup golden boy Bobby Moore illustrate hugely contrasting personalities, but also the enormous changes that have come over the culture of the beautiful game during the last fifty years.
An Irishman in Hollywood
Actors were clay in Rex Ingrams’s sculptor’s hands, and his desire to shape and control every detail of his films had both positive artistic and inevitably negative interpersonal dimensions.
Thomas Patrick Byrne
Thomas Patrick Byrne (1901-1940) was a casual labourer and soldier until he emigrated to the US, just in time for the great depression. The first in our new series, Irish Lives, in which we will publish brief family histories. Submissions are welcome.
The Orangeman who loved Ireland
The prolific singer, actor, traveller, film-maker and writer Richard Hayward, who died in 1964, was in many ways a pre-partition figure, the kind of Irishman who combined a passionate love of his country with a strong unionist allegiance that was not uncommon in the nineteenth century.
A Voice Seldom Heard
There are two ways of responding to perceived injustice: you can complain, or you can get out. If you are loyal to the organisation you will not get out; your choice then is between speaking out and remaining silent. Micheál Mac Gréil chose to stay in and speak out.
Imagining the Irish
Good-humoured, charming, hospitable and gregarious, yet drawn to tragedy. Are the Irish subject to some kind of collective manic depression ‑ lurching wildly from exuberant craic to existential despair? Or is this just the kind of moonshine we like to feed our customers?
Irish Art Series
The Royal Irish Academy’s five-volume history of art is a hugely ambitious project which has been five years in the making and involves two hundred and fifty contributors. Here two of its editors explain its range and place in the development of Irish art history.