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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    The Dying of the Light

    Maura O’Kiely
    After months of being diminished, pared away piece by piece, the young French woman in the hospice is brought into the garden, where she is replenished by nothing more technical than honeysuckle, bees and a blue vault of sky. She is growing while dying, before her doctor’s eyes.
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    From Little Marseille

    Afric McGlinchey
    A generation of poets in Cork in the 1970s came under the charismatic influence of John Montague. Although he had the holy status of an ‘Ulster poet’ he was to direct his students’ attention towards American, British and European models rather than the domestic product.
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    For the Desert Air

    Thomas McCarthy
    Was Ethna MacCarthy intimidated by brilliant male friends? Or was she, as an haut bourgeois Catholic, simply too well brought-up to follow her own literary ambition in this rollicking tide of masculinities? The posthumous publication of her verse shows how much we have been missing.
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    Rue For You

    Amanda Bell
    Maggie O’Farrell’s new novel historical novel is set in Shakespeare’s England, in a time of plague, a time when the playwright himself suffered bereavement with the death of his son Hamnet. The novel interprets the tragedy ‘Hamlet’, written a few years later, as a study in loss.
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    Holding the Fort

    Gerard Horn
    The fact that Trinity College, in central Dublin, was not taken by the insurgents in Easter 1916 can largely be credited to the defensive actions of colonial soldiers, including New Zealanders. The Rising, and the war that followed, put the New Zealand Irish in an invidious position.
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    Crossing Borders, Crossing Genders

    Benjamin Keatinge
    Pajtim Statovci’s second novel is a book in which civilisation itself is under threat and in many respects the heart of Tirana is a heart of darkness; the Albanian capital, a city that nowadays is a pleasure to visit, was, in the 1990s, a dangerous, degraded and desperate place.
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    Nobody will see us

    Neil Hegarty
    Out of bleak contexts and grey ingredients, Conor O’Callaghan creates a spare, emotionally fraught story of home, homelessness and unsettlement. Yet there is no absence of emotion: the approach is to strip away the fat – to permit a wide view, while withholding much by way of detail.
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    A Plump Pillow

    Leanne Ogasawara
    Japanese poets have traditionally taken pilgrimages to locations of great scenic allure, seeking out wondrous places that are so inviting, so lovely, that poems wish to settle in them. A German professor wakes from a disturbing dream and journeys to such a site. Why? He has no idea.
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    Time and the Woman

    Declan O’Driscoll
    Eimear Mc Bride’s new novel presents us with a woman, or maybe a series of women, at various stages of life, presented within the confines of a hotel room, but on each occasion in a different city. There is a twist at the end. But it’s not a plot twist, because there is no plot.
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    Found Again

    Enda Coyle-Greene
    Towards the close of Gerard Smyth’s quietly impressive collection, a sequence of elegies acts as both an act of creative solidarity and a defiant rebuttal of creativity’s all-too-inevitable cessation. The poems, rather like memory itself, call out to and answer each other.
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