The Thing with Rivers
Robert Macfarlane, an internationally renowned and prolific writer on nature, has turned his attention to rivers. At Ennore Creek, in a poor district of Chennai in southern India, ‘the air is violent with pollution’, so dirty Macfarlane's group must wear face masks. When asked what the locals would like for the future, a woman replies: ‘We’re all getting cancer. It would be nice if we just got asthma.’ The river at this point is so chemically polluted that it blisters human skin.
A Fruitful Reticence
For Colm Tóibín, as also for his poetic influences – Derek Mahon, Elizabeth Bishop and Thom Gunn – a wish to be faithful to the self is both reflective of and in tension with a natural inhibition. They’re wary of insincerity and self-deception. But they’re also guarded, even evasive, especially about their losses and traumas. In more than one sense, they keep to themselves. This conflict between transparency and reserve, sincerity and remoteness, informs their plain, disciplined styles.
Twice Blest
Joan Silber’s touch is light, but her subjects couldn’t be more weighty: love and sex, illness and death, money and happiness, betrayal and forgiveness. Her manipulation of fictive time and space is artfully simple yet magically deep and her books are always a sheer pleasure, her illusory artlessness and narrative prowess making her both easy to read and well worth revisiting. Her deftness and mastery have led Nick Hornby to call her a ‘guiding star’ to other writers.

Aschenbach’s Last Journey
In May 1911, a few months before Gustav von Aschenbach first became a figment of his pen, Thomas Mann was staying with his wife and brother Heinrich on the wooded island of Brioni on the Istrian peninsula, holiday haunt of the Habsburg monarchy. Moving the holiday across to the other side of the Adriatic was not yet in prospect, but a disrespectful countess was disturbing dinner with her late arrivals and early departures. The irritable Manns had to stand up to defer to her grandeur and when enough was enough they took the ferry to Venice instead.
Mann insisted that...
I think if Thomas Mann were here today he would want to retain some high-minded beliefs and plead that not all high culture be deconstructed as manipulation in pursuit of power. But his great translator into English, Helen Lowe-Porter, thought him politically naive. She wrote to him: ‘I wondered if you do not move in too rarified an air … for the necessary ingredient of cynicism to find enough place in your political outlook.’ She added, in a letter to a friend in 1942: ‘He has such a good heart … I do wish he knew more.’

