Poems whose titles use the word ‘against’, like ‘Against Despair’, ‘Against Anxiety’ and ‘Against Earnestness’, are not Groucho Marx-inspired (‘whatever it is I’m against it’) but rather resemble small prayers, personal ones rather than those out of the churches’ lexicon.
Change, Anne Enright tells us, is chiefly what the short story is about, with something known at the end – or nearly known ‑ that was not known before. Many of Pat O’Connor’s stories begin in a place that is familiar to us but soon move to somewhere strange and unsettling.
In his artfully constructed second novel, which displays a fine ear for dialogue and a sharp eye for the workings of relationships, Neil Hegarty has conflated patriarchy, religion, violence and family in a manner that is both exactingly specific and utterly convincing.
Katherine O’Dell’s acting fame is based on being Hollywood-Irish, particularly in her role as a nun in the hugely successful ‘Mulligan’s Holy War’. Cinema, of course, trades in yearning and, as her daughter remarks, Katherine could miss the old sod standing in her own kitchen in Dublin.
A massive and erudite history of southeastern Europe from late antiquity to the present demonstrates that the region is properly part of the continent’s history and culture rather than a transitional place between ‘Western’ order and civilisation and the chaos of the Orient.
The women interned in mother-and-baby homes not only did forced penance for other people’s sins. They also quite literally washed the laundry of the state, including that of institutions like hospitals, the National Library, Áras an Uachtaráin and the ESB.