Books drawn on in this essay include: Bard of Erin, The Life of Thomas Moore, by Ronan Kelly, Penguin Ireland, 624 pp, £25.00, ISBN: 978-1844881437 Memoirs of Captain Rock, by Thomas Moore, Longman 1824, Field Day 2008, 328 pp, €25.00, ISBN: 978-0946755370 Captain Rock Detected, by Mortimer O’Sullivan, T Cadell, 1824, 450 pp, With […]
Frank McGuinness is a writer of openness and adventure. Openness to form: while best known as a playwright, while highly regarded as a poet since the 1990s, he has made forays into other genres, writing short fiction in the early 1980s and publishing two novels in the last decade; openness to varying manner and textures, which can range from tightly focused social realism to fantasy. The list of his stage and film adaptations suggests a keen literary appetite, eager to try anything.
As might be expected, the immediate response to the Rising of those that were or would soon become the leading Irish writers was probably as complex as that of the Irish public more generally. If a generalisation might be risked, the letters and other early writings of 1916 suggest a sense of stunned incomprehension, this sooner or later modulating in some cases into a grudging respect for the executed leaders.
The troubadour who mangled ‘Moore’s Melodies’ and inspired Joyce
Modernism and the influence of ‘cinematicity’ on perception
The hyphenated music of Maurice Scully’s shadowy airs
A selection of from the pages of the prestigious ‘Dublin Review’
Manchán Magan’s guided tour through the landscapes of ancient Ireland
The short but productive life of Joseph Roth, elegist of Habsburg Austria
The achievement of a great entertainer, ‘queen of crime’ Agatha Christie