A new Spanish-Irish film documentary manages to profit handsomely from the practical advice of film genius André Bazin, founder of the influential
A study of the promotion of Ireland through art in the United States provides, thanks to its author’s formidable research, a tapestry of who is who, and where and how they lived and dined, between Dublin, Chicago and New York, with occasional forays to London, Paris, Boston and even New Orleans.
Spoken Chinese is a tonal language quite unlike English – with four possible tones to each sound and a fifth atonal sound that can turn a sentence into a question. The chief problems that translators of ‘Ulysses’ have faced in mainland China are not, however, issues of language but of politics.
If the purpose of satire is to change the world, or at least to change the ways in which we think about it, do poets like Kevin Higgins do more than elicit complacent smiles from those who already agree with them? The strong responses that his poems evoke suggest otherwise.
American business has been striking a newly pious note, emphasising its duties towards customers, employees, suppliers, communities. Unsurprisingly, there is nothing about the state, or a corporation’s obligation to pay taxes that can be used for the benefit of citizens.
Seosamh Mac Grianna’s best-known work, newly translated as ‘This Road of Mine’, is more novel than autobiography and is also an exploration of the relationship between art and artist. Unusually, for a work written in the 1930s in Irish, it is set in Dublin, London, Liverpool and Cardiff.
Working class Dub and venerated pioneer of Burmese nationalism
Categorising groups of people as ‘Other’ is a practice that seems to be frowned upon in the best intellectual circles. But there are markers apart from ethnicity, nationality and religion. Why shouldn’t we regard those who strongly oppose our values as fundamentally different?
Hermione Lee’s authorised biography of Tom Stoppard gives us, between the lines, the sense of a man who, while charming, could be driven and sometimes emotionally distant. He also seems to have been remarkably keen to live what he saw as the traditional life of the English gentleman.
Are we, like our feline companions, creatures of biology and chance?