In the Hogarth Press’s series of modern adaptations of Shakespeare, Anne Tyler takes on ‘The Taming of the Shrew’, giving us a twenty-first century fairy tale involving not the defeat of a woman but her acceptance of the different roles and temperaments of men and women.
A debut collection of short stories is fraught in mood, yet maintains a composed tone alongside meticulous description. At times it feels like a contemporary ‘Dubliners’ written for the People’s Republic of Cork, shot through with its author’s impressive ‘descriptive lust’.
Our image of Maeve Brennan is most often of an elegant and sophisticated woman looking very at home in a New York apartment. Her Dublin stories, however, portray frustrated lives in a respectable but constricted world, the middle class suburban world in which she grew up.