Freedom From the Bind
Domenico Starnone’s novel ‘Ties’ explores the break-up of a marriage from multiple perspectives, casting some doubt on the notion that self-realisation can easily be found in a new relationship. It is also particularly interesting because of its relationship to the work of Elena Ferrante.
Something To Declare
Gilbert and Sullivan producer Richard D’Oyly Carte offered to sponsor Oscar Wilde’s American tour, hoping to drum up publicity for the comic opera Patience. The representative stock aesthete left London an understudy for the leaders of the aesthetic movement, returning a celebrity in his own right.
A Fire in the Brain
James Joyce never wanted to believe that his daughter could not be cured of her mental illness, saying ‘whatever spark or gift I possess has been transmitted to Lucia and has kindled a fire in her brain’. The problem was, however, that the fire could not be extinguished.
Gazing Heavenwards
The challenge in our secular age for a poet engaging with the spiritual and religious is how to sound the authentic note. To this end James Harpur fetches images from the religious art and symbolism of the past, renewing and refreshing them in his language of ‘pure clear words’.
An Idea Madder than Usual
It is well-known that Joyce drew on Leopold von Sacher-Masoch’s Venus in Furs when writing the sadomasochistic scenes in Ulysses. Masoch’s name today may be chiefly linked to ‘SM’ porn, but there is more to Venus in Furs than that, and indeed more to Masoch than one book.
No Way Out
Denis Diderot’s novel The Nun, posthumously published in 1796, is an indictment of the practice of locking up young women against their will in convents. It strikes an uncanny echo in Ireland, where the last punishment facility of the type known as the Magdalene laundry closed 200 years later.
Where The Wild Things Live
Many books for the young, whether about animals and their habitats or children on a ‘wilderness’ adventure, contain a message which an attentive child may grasp, laying the ground for a future respect for nature, kindness to animals and aversion to environmental destruction.
I Would Prefer Not To
In Ottessa Moshfegh’s new novel a young woman attempts to whittle her life back to an extreme stillness. Orphaned, disillusioned with the art world and insulated from the need to work by a large inheritance, she can find no particular reason to participate at all.
Beyond the Laws
Lovers of the plain, the spare, the rational should perhaps avoid Bruno Schulz, an apparently ‘modest teacher’ from a Polish provincial town in whose stories matter has infinite fecundity and we are invited to feel for a table hammered together from ‘alien races of wood that hate one another’.
Home As Hell
Tara Westover’s childhood was dominated by her father’s apocalyptic beliefs. She was born at home, and never had a birth certificate. She never went to hospital, or to a dentist, or school. Eventually she escaped, but realised that she knew nothing – or nothing that is true – about the world.