The Grace of Accuracy
Jason Sommer’s fourth poetry collection exhibits a master’s command of language, rhythm, and image, a formidable narrative gift and an unflinching willingness to take on themes that are both intensely personal and expansively historical.
Demonic Ideologist
The popular historian James Anthony Froude believed that superior strength was as a rule a sign of superior merit, held Irishmen in particularly low esteem and offered Oliver Cromwell as the model for how a superior race should govern a race that was unfit for self-government.
A Cold Literature
The writer, Chinese Nobel laureate Gao Xingjian insists, is not a prophet. He must tell the truth and articulate difference. The only criteria are aesthetic quality and truth to the emotions. “Cold literature” does not seek to change the world.
THE BIG ONE
Though he fell out with the temper of the times in the later 1960s, in the light of history Bellow will be a judged a great American novelist, and Herzog, cerebral and earthy, imbued with two thousand years of learning yet crackling with wiseass Chicago wit, will be accounted his masterpiece.
In Other Men’s Homes
For all the mystique and mystification, imperialism, as Orwell recognised, is essentially a money-making racket, while the kernel of racism resides in the pretence that the exploited are not real human beings.
Down Under
Peter Carey’s Ned Kelly is Irish not in a straightforward or obvious way but is rather a metonymy for the citizen-outlier, the alternative history, the exemplary failure, the heroic victim, the road that is not just not travelled but is not on the map.
Measure-taking
Anne Carson’s work is marked by a sense of the strange and a belief in the value of difficult art in forcing us to test known limits and forms of understanding.
Birds in Words
British writer, radio producer and birdwatcher Tim Dee is the laureate of the feathered world, from the capercaillie, in Jacobean doublet, ink black with pearl drops, puffing his wobbling throat and singing like a drunk, to Ukraine bustards, calandra larks, swallows, black grouse, nightjars and demoiselle cranes.
The Ends of the Earth
In 1936, James Agee and photographer Walker Evans travelled on assignment to Hale County in Alabama, a place inhabited by poor tenant farmers, where the world seemed ironclad, immutable, one year discernible from another only by another death or marriage, the unsurprising and largely joyless round of a life without exits.
Lost in the Funhouse
Nabokov’s masterpiece still occasionally has to be defended against the charge that it uses a high-art modernist veneer to excuse pornographic pleasures. In fact it is a complex, convoluted literary puzzle, a hall of mirrors where moral viewpoint is elusive, an intellectual and aesthetic provocation set to challenge readers in a similar way to that in which a grandmaster sets a chess puzzle.