I am so at home in Dublin, more than any other city, that I feel it has always been familiar to me. It took me years to see through its soft charm to its bitter prickly kernel - which I quite like too.

Dick Edelstein

Beyond the Ordinary

Can a woman living an ordinary life be a Renaissance Man?

Stalking Truth

Geraldine Mitchell’s four collections have in part sprung from insights gleaned from a lifetime of covert observation

Compelling the Heart to Care

A new Spanish-Irish film documentary manages to profit handsomely from the practical advice of film genius André Bazin, founder of the influential

Drawing Death’s Sting

In ‘Origami Doll’, the poems of Shirley McClure’s entire career whisper to each other as the newer ones shed light on the earlier ones and vice versa. The whole represents a sort of ongoing conversation, underpinned by a stable philosophical view.

With Proust Down Memory Lane

Ciaran Berry’s ability to move mercurially between simplicity and complexity, between a soufflé-light surface and deeper levels redolent of the rich complexity of a figgy pudding, makes his verse amenable as well as substantial.

Surveying the Wreckage

As both a global writer and an Irish poet, a noteworthy aspect of Jo Burns’s poetry is, rather than the way she views the world, how the world views her. Living at the margins of the English language, with German offspring and spouse, her erudite idiolect can be spiced with fractured syntax or diced diction.

Giant Step

While Geraldine Mitchell’s two preceding volumes of poetry were notably cohesive, in her new collection she constructs a more all-embracing context while maintaining an easily identifiable stylistic continuity. The result represents a considerable leap forward in her work.