I am so at home in Dublin, more than any other city, that I feel it has always been familiar to me. It took me years to see through its soft charm to its bitter prickly kernel - which I quite like too.

Fintan Calpin

The God in the Attic

The astonishing achievement of Marieke Lucas Rijneveld’s writing is its construction of a world of metaphor and simile which is punctured and disrupted by the real. Her novel is the work of a poet, for whom the sensuousness of the material world is a reminder that to compare is to distort.

Time’s Factory

Ali Smith’s novels have always been interested in deviant temporalities and ‘unexpected afterlives’. Her narratives are never singular or isolated, but a gathering of threads and she has also pushed at the formal boundaries between the novel and the essay.