I am so at home in Dublin, more than any other city, that I feel it has always been familiar to me. It took me years to see through its soft charm to its bitter prickly kernel - which I quite like too.

Lia Mills

Manderley, Again

Daphne du Maurier’s classic story ‘Rebecca’ is more an anti-romantic than a romantic novel. It is also a study of jealousy, a portrait of the imbalance of power in a marriage, a psychological thriller, and a crime drama with its conventions turned inside out.

World Without End

Marilynne Robinson’s three Gilead novels amount to a masterclass in perspective and in the use of telling detail to construct character and story. Part of their extraordinary power is their ability to return to the same events with a fresh point of view, without ever feeling repetitive.

Pay Attention

Ali Smith has written a daring and brilliantly successful novel about art and language, the making and understanding of art, and of life. It’s about attention and engagement and how to stay awake in the world and in life, which will be over sooner than we think.

Hidden Irelands

Celia de Fréine seems to have arrived on the literary scene late but fully formed: as though she waited until her voice was mature to publish at all. Since she started, she’s been unstoppable. In an interview, she talks about the gestation of her work and her return to earlier ‘shelved’ work.

About Time

If the mystery could be taught, poetry would die, argues one contributor to a new study of creative writing teaching in Ireland. But what workshops and courses can do is save time – condensing years of toil and experimentation and leaving writers equipped to do the real work on their own.