I am so at home in Dublin, more than any other city, that I feel it has always been familiar to me. It took me years to see through its soft charm to its bitter prickly kernel - which I quite like too.

Miriam Balanescu

Fearing the Forest

Max Porter’s follow up to ‘Grief is the Thing with Feathers’ explores the physicality of language, earthiness, the smell of ink and metal in print. The layout of the text is highly experimental: words drip, curl and crawl off the page, reminding us of their tangibility.