The essayist Chris Arthur grew up in Northern Ireland, where his father considered himself to be of British nationality. Physical absence from the island may have helped him create an Irish identity beyond the Catholic/Protestant duopoly. It is an identity…
The mind of Derek Mahon is not, he assures us, one that can be ‘set at rest’. But would we wish it to be? Would we want him free of tension and contradiction and impossible desire? One might as well…
Gerald O’Donovan left the priesthood due to strained relations with his conservative and philistine bishop. In his novel about the fortunes of the provincial middle class Curtin sisters, he indicts late Victorian Catholic values, warped by the privileging of religious…
Tracey Iceton, author of a projected trilogy of ‘Troubles’ novels, claims her work, and in particular her portrayal of a woman IRA volunteer, avoids the stereotypes which disfigured previous examples of the genre. These claims of originality and an ethical…
Martina Evans’s new volume consists of two dramatic monologues featuring the voices of two women from the War of Independence and Civil War periods. Though the monologuists never meet, their stories are fused through the featuring of a third character,…
The eighteenth century in Ireland saw the vigorous transfer of literary objects and ideas between Castle Forbes, Edgeworthstown House, and other ‘big houses’ such as Charleville Forest in Co Offaly. Co Longford in particular seems to have been especially rich…
Anna Burns’s new novel explores the impact in the Northern Ireland of the 1970s of a level of violence that has become ordinary and a society where gendered violence is everywhere but remains unacknowledged in a context where ‘huge things,…
Conor O’Callaghan’s new collection often deals with rather mundane events, the primary material of life perhaps, rather than subjects more associated with the epic, but from this he often fashions something original and valuable.
Matthew Sweeney’s last collection is bright with painters: Lowry, Van Gogh, Goya, for the most part painters of possibility, or Paula Modersohn-Becker, who moved with Rilke and Rodin and whom Rilke once described as ‘half held in thrall, yet already…
It is well-known that Joyce drew on Leopold von Sacher-Masoch’s Venus in Furs when writing the sadomasochistic scenes in Ulysses. Masoch’s name today may be chiefly linked to ‘SM’ porn, but there is more to Venus in Furs than that,…