Saluting progress in Ireland and the contributions of artists to liberalisation is not the same kind of action as analysis or evaluation. Can critics, while retaining the idiom of ‘excellence’, find themselves merely ventriloquising the boosterism of marketing managers and…

On a jaunt to Ayrshire, Seamus Heaney came upon the Robert Burns Visitor Experience. When friends joked that there might soon be a Heaney Experience he suggested ‘a few churns and a confession box’. Roy Foster’s impressive new study provides…

Niamh Campbell’s ‘This Happy’ finds coordinates for today’s slumlords in Ireland’s colonial past. She also edges her readers to the idea that the attempts of the socially dispossessed to transcend class belittlement through the corridors of education might be based…

Doireann Ní Ghríofa’s writing in her first prose work is as compelling and accomplished as in her best poetry. The book reveals her as a writer who is willing to take risks, to push back boundaries, refusing to let herself…

The narrator of Alice Lyons’s novel, an American of Irish stock raised in New Jersey, finds on a second visit to the auld sod that she has to learn to speak the language ‑ which is not as easy as…

Since her remarkable debut, ‘The Heel of Bernadette’, Colette Bryce has shown both variation and range in her work, developing a distinctive poetic personality that places her outside of and beyond the ‘Northern thing’.

In “The Changing Mountain”, his recent essay on the mutable parameters of elegy (Poetry London Issue 96) Stephen Sexton notes “the imperceptible change a photograph, say, undergoes when someone depicted in it has died; how these images seem, somehow, utterly changed…

From Killary to Barna, Salthill to Inisbofin, a collection of twenty short stories gathered from Galway city and county evokes the unique spirit, atmosphere and salty tang of the western city and county perched on the windswept edge of the…