All Together Now
Making a ‘national’ anthology of stories poses a problem: is there an essence that has to be captured? To be British in the 1920s was to believe that the national story had been progressive, from hut to glass tower, feudalism…
Making a ‘national’ anthology of stories poses a problem: is there an essence that has to be captured? To be British in the 1920s was to believe that the national story had been progressive, from hut to glass tower, feudalism…
After a crisis of faith in the early 1890s Paul Valéry abandoned poetry for some decades. He didn’t stop writing, however, getting up at dawn each day to work on his notebooks, 250 of them eventually, occupying 27,000 pages. This…
His indisputable genius ensured that William Shakespeare assumed the status of England’s chief literary emblem, in the same way that Cervantes was chosen to represent Spain, Dante Italy or Molière France. But why was it that he seemed so uninterested…
‘I am not so much a writer who has died, as a dead man who has decided to write,’ the narrator tells us at the opening of a Brazilian classic which owes something to Laurence Sterne’s ‘Shandy’, but with the…
Anne Tyler’s twenty-third novel is her shortest to date, a concerto rather than a symphony, she has conceded. Her hero, brought up in a chaotic family, values order and routine and thinks social contact unimportant, but he discovers that it…
Is art predicated upon the artist’s psychology? Is the cost of high achievement inevitably a compromise with mental health and the destruction of human bonds? Robert Lowell believed his creativity was inevitably tied to feelings of drowning, that there was…
Is ‘pragmatism’ toward China really a permission Europeans give themselves to revert to uses of power that are an inherent part of European history? Can the economic exploitation that produces clusters of infection in meat-processing plants and the suicides at…
Had Eileen O’Shaughnessy not taken up with George Orwell, she might have found success, if not fame, in her own right, possibly as an academic or a child psychologist. Her loss was to be his gain, something neither he nor…
Michele Roberts, the acclaimed author of twenty-five books, was rather put out when her new novel was rejected. For a year, she wrote a diary as an exercise in recuperation. The result is more joyous than jaundiced, something bright and…
The poems in Miriam Gamble’s new collection show her to be a truly imaginative writer: in ‘Plume’, the creamy-white heads of meadowsweet are compared to the ‘creamy wigs’ of the 18th century, to ‘the shape of Scotland’, and to fat…