Articles

Essays, reviews, and commentary on literature, history, politics, and ideas.

Fearing the Forest

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Max Porter’s follow up to ‘Grief is the Thing with Feathers’ explores the physicality of language, earthiness, the smell of ink and metal in print. The layout of the text is highly experimental: words drip, curl and crawl off the…
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A Fog from Reykjavik

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A participant-observer study of the making of The Fall’s 1982 album ‘Hex Enduction Hour’, recorded in Iceland and at a cinema in Hertfordshire, drips decency and likability. It could be profitably patented as a pragmatic template for art memoirs or…
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