Back in 2003, Margaret Atwood suggested that the dating of the Appendix on Newspeak in Orwell’s Nineteen Eighty-four clearly indicated that the message of the book was not entirely pessimistic. But was she the first to come to this conclusion?
Séamus Lillis was moved to apply for a job in the Northern Ireland civil service back in the 1960s by the generous interview expenses on offer. He was surprised to get the position, and surprised again when, one Friday, a superior with whom he was having lunch said: ‘I’ve ordered a steak for you.’
Primo Levi’s ‘If This is a Man’, published in 1947, and his much later ‘The Drowned and the Saved’ are for many the most compelling literary treatments of the Holocaust. Yet some people, particularly in America, felt that a person whose Jewish identity seemed so off-centre was not a suitable standardbearer.
It is not necessarily the case that progress in science or technology will be accompanied by equivalent advances in civilisation. In the decade when an age-old dream of mankind, long thought impossible, was finally being realised, white men still refused to drink their beer from the same glasses as Afro-Caribbeans or Asians in an English pub.
Sitting at a laptop, for all that our curious fingers flit across cyberspace, confines us to our private space. We need the opportunity to wander and discover and be let loose among the materiality of paper and physical buildings. Peter Sirr writes on libraries, theft and the clutches of Hades.
It is more than twenty years since the mobile phone first burst – or brrred – its way into our lives. Initially, in Dublin at any rate, it was not regarded as a marvel. Rather it was customary for everyone else in the pub to stare coldly at the recipient of the call, who if he had any decency would blush and hurry towards the exit.
Jeremy Corbyn does not recognise the nature of the Brexit national division, nor does he see that it cannot be understood in the language of class division. This failure is hardly surprising, as he comes from a tradition where pretty much everything can be explained in that language.
There are characters, George Eliot wrote, who continually create collisions for themselves in dramas of their own imagination which no one is prepared to act with them: ‘their susceptibilities will clash against objects that remain innocently quiet.’ It’s called unrequited love.
Strangely bored on a weekend in the country in the late 1940s with an old lover rediscovered, Elizabeth David’s thoughts turned to apricots and olives, lemons, oil and almonds. In grey, rainy, puritanical England one didn’t mention such things. Hell, they were dirty words!
Seventy years ago Fred Warburg published ‘Nineteen Eighty-four’, which he saw as a deliberate attack on socialism and socialist parties generally and ‘worth a cool million votes to the Conservative Party’. He can’t have known George Orwell all that well.