Mary Pendarves was a well-connected socialite who was flattered to win the friendship of Dean Swift. Many years after her release from an unhappy marriage she married again, this time happily, to Dr Patrick Delany and the two set up home in a beautiful house on the banks of the Tolka.

Mary Granville, later Mary Pendarves and Mary Delany, was bullied into marriage with an older man aged seventeen for financial reasons: ‘I was married with great pomp. Never was woe drest out in gayer colours …

A poem from Moya Cannon’s latest collection makes connections between medieval Dublin, a querulous student and south Dublin’s most pleasant amenity.

George Frederick Handel’s sublime `Messiah’, first performed in Dublin in 1742, was not entirely about giving the bourgeoise a nice outing. Its purpose was to raise funds to relieve distress, which then, even more than now, was prevalent in Dublin.

In 1757, the Wide Streets Commission was set up to lay down wide modern streets which leading citizens felt were essential to a modern and prestigious city. Unfortunately Dublin was not to remain such a city for very long.

James Cousins, an early literary revival figure, fell for Gretta Gillespie. Gretta overcame an early antipathy and they married, embracing vegetarianism and theosophy, which provided a focus for enthusiasm in the absence of “some more artistic way of continuance of the race”.

The prevailing culture in Dublin is one of conservation: we don’t like the new or the modern, preferring the old and crumbling. So why then has there been such sentiment about the Poolbeg chimneys, symbols of an industrial era we seem to be happy to turn our backs on?

If Tom Barry and Winston Churchill had succeeded in reigniting the Anglo-Irish War, who would have emerged victorious? And would Ireland now enjoy a system of universal health care?

It is fairly well known that volunteers captured in 1916 were sometimes jeered at by crowds of working class Dubliners on their way to imprisonment. What exactly can we read into this and what does it tell us about the legitimacy of the rising?

Journalist, film critic, pundit and ferocious conversationalist George Byrne died last week. John Fleming remembers the early years.