Latest Blogs

Fleeing the Russian State

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Alexander Obolonsky writes: Russia has something positive to present – both to itself and to the world. Alongside the dominant culture of subjugation, an alternative counter-culture of resistance has always existed and survived, even in the darkest times.
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Dropping the mask

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Andy Storey writes: the old, better-managed order mourned by the writers in Foreign Affairs was no less violent and exploitative than Trump’s grotesque carnival of hustle and hubris.
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Reasoning Animals

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Stephen O’Neill writes: What is stopping a conversation about a United Ireland which doesn’t knowingly inhabit the same structures that it seeks to replace, or repeat the same cliches and reinscribe the same privileges that those structures have perpetuated?
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The Berlin Fringe?

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Maurice Fitzpatrick writes: The fiasco marring this year’s Berlin Film Festival shows once again that the most vital art does not emerge from approval but thrives on the margins. A lesson the BFF needs to (re)learn.
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Party Time Over?

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Michael Laver writes: While ‘The Great Retreat: How Political Parties Should Behave and Why They Don’t’ by Didi Kuo adds to a burgeoning ‘decline of parties’ literature, are we to believe that this decline is part of a global pattern or more specific to the US?
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Semantic Escalation

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Charlie Ellis writes: The English lexicon is famously hospitable. Much to the chagrin of prescriptivist sticklers, it is a language that greets new arrivals with open arms. We are accustomed to technological neologisms like ‘doomscrolling’, ‘podcast’, and ‘vibe coding’ and track them with the obsessive energy of a birder spotting a rare migrant.
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A Political Exile

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Thomas McCarthy writes: A poet and former director of Poetry Ireland, Theo Dorgan has already written a number of successful prose works, including ‘Voyage Home’, his marvellous logbook of an ocean voyage from Antigua to Kinsale on the seventy-foot schooner ‘Spirit of Crosshaven’.
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Yes We Can

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John Fanning writes: Earlier this year I saw the film ‘Mountainhead’, the new Jesse Armstrong production continuing his exposure of the rich and powerful following the success of the Murdoch family saga ‘Succession’. The characters featured are all filthy rich tech bros, some easily identified: Musk, possibly Sam Altman.
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Getting in Close

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Josh Abbey writes: Essays about close reading often begin with a cliche: IA Richards and his experiment. Soon the formula will include a disquisition on AI: can a large-language model close-read? I asked ChatGPT and it said ‘sort of’. So I asked CoPilot, and it said ‘Absolutely!’ It was a little shy and reticent to…
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A Pinch of Salt

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David Blake Knox writes: A literary storm raged during this summer. The eye of that storm could be found in the UK, but it concerned a book that has been an international multi-million bestseller. The book provided the basis of a movie that was released to critical acclaim earlier this year – with the promise…
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1-9 of 705 results
  • Bucolic Recipes

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    • 18 October 2026

    Just over a decade ago, Jane Clarke was a little-known newcomer to the Irish poetry scene. Today she is one of its most dependable talents. She is studious and industrious, a crafter of gleaming songlines with clipped, shimmering rectangles of illumination on the page. Her new book, ‘Coracle’, is a gathering up of style and strength.
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  • Death as a career move

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    • 5 October 2026

    Paul Doolan writes: Walter Benjamin took his own life at the age of 48. He wrote in his suicide note: ‘I am dying in a village where no one has ever heard of me.’ Had he survived and become an exile in New York, who knows? Perhaps the words ‘no one has ever heard of me’ would still ring true. Living might have proven to be a bad career move.
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  • We need to write about diabetes

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    • 21 August 2026

    Kieran Fionn Murphy writes: Depictions of type 2 diabetes remain virtually absent from English-language novels, even though 589 million people worldwide have the disease. A mere mention of a character with type 2 diabetes who isn’t feckless, gluttonous, evil or dissolute, even as an aside, could help a vast, marginalised population feel recognised.
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  • Toast in the face of authority

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    • 2 August 2026

    David William Sheehan writes: I learned to read power from a puppet throwing toast. Most afternoons of my Irish childhood ended in front of The Den with Zig and Zag, two aliens on a couch, telling each other and occasionally the nation to feck off.
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  • An unlikely political animal

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    • 26 July 2026

    Jonathan Becker writes: When I was packing up my grandmother’s apartment in Chicago after she died, I found an unusual book among her otherwise conventional collection: Henry Miller’s ‘Tropic of Cancer’. It was many years later that I would learn the book’s significance.
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  • Homer lives

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    • 17 July 2026

    John Simmons writes: Is Homer the most influential writer of all time? We don’t know much about whoever he, she or they might have been, and we don’t know with any certainty how old the Iliad and the Odyssey are. They brought us the power of storytelling, and for that we should give them the highest praise.
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  • Spring colours in Zaporizhia

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    • 25 June 2026

    Rosemary Jenkinson writes: On April 16th, 2026 at 3 am I’m on the sleeper train to Zaporizhia in southeastern Ukraine when there is a loud rap on our four-berth compartment door.
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  • Elites and / or / versus Democracy

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    • 23 June 2026

    Michael Laver writes: Andy Burnham’s resounding defeat of the upstart right-wing Reform Party in the recent Makerfield byelection throws some light on the seemingly inexorable decline of ‘legacy’ parties on the centre right and centre left.
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  • The living and the dead

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    • 16 June 2026

    Mike Gogan writes on Bloomsday: ‘Yes, the newspapers were right: snow was general all over Ireland.’ This is one of quite a few yeses in the last paragraphs of ‘The Dead’, the final short story in ‘Dubliners’ by James Joyce. In ‘Ulysses’, which was written after, the last word of Molly Bloom’s soliloquy faintly echoes this, ‘Yes’.
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