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The Making of Britain

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In 1603, William Shakespeare was, among other things, an English dramatist. With the accession of James Stuart of Scotland to the English throne he was to have to learn to become a British one.
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Band of Brothers

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St Crispin’s Day, the day on which the Battle of Agincourt was fought six hundred years ago, was a glorious one for England. Its memory was called upon at another difficult time in the mid-twentieth century, but the Agincourt battle scenes in Laurence Olivier’s ‘Henry V’ were in fact filmed in Ireland.
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The Ferment of the Revival

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Ireland in the early 1890s was a country in paralysis, but over the next thirty years it began to move again as ideas bubbled up and were debated in new journals, clubs and societies. A new anthology catches the cultural ferment of that era.
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Ferrante on Austen

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The Italian novelist Elena Ferrante has written a sharp analysis of the moral world of Jane Austen’s ‘Sense and Sensibility’, though her theories on its anonymous publication may tell us more about Ferrante’s motives than Austen’s.
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Turned Out Nice Again

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Artists and painters have long been fascinated by the weather and have not ceased to be so even in an era where mystery and religious speculation have largely moved over for science. Our tendency to worship nature suggests a question: is God the thing we see when we look up?
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Port In A Storm

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Many Irish over the centuries sought refuge in Liverpool, and once they arrived there didn’t go far, settling in Vauxhall near the docks or on Scotland Road. The local MP, TP O’Connor, represented Liverpool Scotland as an Irish nationalist from 1885 until his death in 1929.
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A Literary Terrorist

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One critic has compared reading Charles Maturin’s Melmoth to climbing Mount Everest, yet the novel continues to appeal, in part perhaps because of its role in creating a genre that is still potent in global culture –in Hollywood movies, popular music and manga animation.
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The Pleasures of Destruction

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Book-burning is a recurring element in our cultural history, though mostly the authorities have found censorship and regulation more effective. For the people, however, a good show is always popular and great satisfaction can often be derived from the destruction of symbolic goods.
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1-9 of 689 results
  • Evidence of fullness

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    • 1 April 2026

    Ciarán O’Rourke writes: On the evidence of his work to date, Martin Dyar might be thought of as an able, and often savagely funny, dramatist of the universal human parish.
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  • Party Time Over?

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    • 1 April 2026

    Michael Laver writes: While ‘The Great Retreat: How Political Parties Should Behave and Why They Don’t’ by Didi Kuo adds to a burgeoning ‘decline of parties’ literature, are we to believe that this decline is part of a global pattern or more specific to the US?
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  • Centenary of ‘The Plough and the Stars’

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    • 1 April 2026

    Bess Rowen writes: 11 February 2026 marked a century since protesters disrupted Sean O’Casey’s ‘The Plough and the Stars’ by singing nationalist songs and rushing the stage.
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  • Semantic Escalation

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    • 1 April 2026

    Charlie Ellis writes: The English lexicon is famously hospitable. Much to the chagrin of prescriptivist sticklers, it is a language that greets new arrivals with open arms. We are accustomed to technological neologisms like ‘doomscrolling’, ‘podcast’, and ‘vibe coding’ and track them with the obsessive energy of a birder spotting a rare migrant.
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  • A Political Exile

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    • 18 December 2025

    Thomas McCarthy writes: A poet and former director of Poetry Ireland, Theo Dorgan has already written a number of successful prose works, including ‘Voyage Home’, his marvellous logbook of an ocean voyage from Antigua to Kinsale on the seventy-foot schooner ‘Spirit of Crosshaven’.
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  • Yes We Can

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    • 15 December 2025

    John Fanning writes: Earlier this year I saw the film ‘Mountainhead’, the new Jesse Armstrong production continuing his exposure of the rich and powerful following the success of the Murdoch family saga ‘Succession’. The characters featured are all filthy rich tech bros, some easily identified: Musk, possibly Sam Altman.
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  • Getting in Close

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    • 5 December 2025

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  • A Pinch of Salt

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    • 4 December 2025

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  • Tom Stoppard: 1937-2025

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    • 4 December 2025

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