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Painting Light

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Ciarán O’Rourke writes: ‘Yours is the art that conveys / what the world is made of.’ So Eiléan Ní Chuilleanáin writes in ‘Instructions to an Architect’, imploring her interlocutor to ‘build me a shelter’, in anticipation of a future that seems already ‘fractured from the inside’. The poet too can redeem and repair a broken…
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John Barth: 1930-2024

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Kevin Power writes: It was John Barth’s achievement to become a significant figure without ever becoming a major, or even really a popular novelist. It was as if he decided, early in his career, that somebody had to be American Literature’s representative postmodernist, and that that somebody might as well be him. He filled the…
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Entering the Whirlpool

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David Barnes writes: Succession’s Frank Vernon likes ‘to recite Prufrock internally while we check we’re GAAP-compliant’ (Season Two, Episode Six). He goes on to suggest others ‘use whatever method you prefer to numb the pain’. GAAP are Generally Accepted Accounting Principles – principles that Waystar Royco, the corporate behemoth whose story is chronicled in HBO’s…
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The Grafton Wonderland

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Eoin O’Brien writes: Dublin’s Graftonia: A Very Literary Neighbourhood is the latest in a series of books by Brendan Lynch on the literary history of Dublin. It follows, in a logically progressive sequence, Parsons Bookshop: At the Heart of Bohemian Dublin (2006) and Prodigals & Geniuses: The Writers and Artists of Dublin’s Baggotonia (2011). In…
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The Irish Jew

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Maurice Earls writes: The Irish Jew, a comedy by John MacDonagh, had numerous successful runs in Dublin in the early 1920s. It was extremely popular, with performances usually twice a night. Billed as ‘Ireland’s Greatest Comedy’ and described as ‘easily the most successful play presented on the Irish stage during the present generation’, it was…
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Liberalism goes neo

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  John Fanning writes: Twenty years ago Martin Wolf, chief economics commentator of the Financial Times, published the bestselling How Markets Work, an extended hymn of praise to global business corporations operating under free market conditions, arguing that they were the most extraordinary instrument of economic growth and individual wealth in history. He went on…
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The Poet Says No

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Eve Patten writes: On December 10th, 1923, the poet WB Yeats addressed those gathered for the Nobel Prize ceremony banquet at the Grand Hotel in Stockholm. Speaking of the honour brought to Ireland by his award for Literature, he acknowledged a circle of fellow Irish writers who had worked to free their country from provincialism…
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From Page to Stage

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Enda O’Doherty writes: John Fleming has contributed pieces to the Dublin Review of Books over a good number of years: essays, book reviews, blog posts occasioned by the deaths of friends or admired figures in the music world. A few extracts may give the flavour of the Fleming prose style and the nature of his…
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The Dark Side – 50 Years On

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Martin Tyrrell writes: Half a century has passed since Pink Floyd released their game-changing album The Dark Side of the Moon. I first caught up with it some five years after the event, by which time it was already deeply unfashionable. Pink Floyd were the definitive progressive rock band – arthouse film soundtracks, an abortive…
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Dunsany’s Careless Abundance

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Robin Wilkinson writes: Whenever I came over from London to visit my cousins in Co Meath, long before the M3 cut a swathe through the Boyne Valley, I’d catch the Dublin to Kells bus and have the driver let me off at the turning to Tara. That meant moving up to the front at Ross…
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As the Path Continues

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Dr Struan Kennedy writes: This year marked the twenty-fifth anniversary of the signing of the Good Friday Agreement which formally ended thirty years of the conflict known as the Troubles. Naturally there has been a series of events commemorating this significant milestone which have, just as understandably, celebrated the achievements of those involved in bringing…
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Response to Maurice Earls

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John Fanning writes: Maurice Earls’s thought-provoking essay ‘The State Of Us’ (February drb) is a valuable contribution to a much-needed debate on our future direction at a time when the world is drifting unsteadily towards an as yet unknown destination. The fall-out from the 2008 great recession is still reverberating and has been further complicated…
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  • Bucolic Recipes

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    • 18 October 2026

    Just over a decade ago, Jane Clarke was a little-known newcomer to the Irish poetry scene. Today she is one of its most dependable talents. She is studious and industrious, a crafter of gleaming songlines with clipped, shimmering rectangles of illumination on the page. Her new book, ‘Coracle’, is a gathering up of style and strength.
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  • Death as a career move

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    • 5 October 2026

    Paul Doolan writes: Walter Benjamin took his own life at the age of 48. He wrote in his suicide note: ‘I am dying in a village where no one has ever heard of me.’ Had he survived and become an exile in New York, who knows? Perhaps the words ‘no one has ever heard of me’ would still ring true. Living might have proven to be a bad career move.
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  • We need to write about diabetes

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    • 21 August 2026

    Kieran Fionn Murphy writes: Depictions of type 2 diabetes remain virtually absent from English-language novels, even though 589 million people worldwide have the disease. A mere mention of a character with type 2 diabetes who isn’t feckless, gluttonous, evil or dissolute, even as an aside, could help a vast, marginalised population feel recognised.
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  • Toast in the face of authority

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    • 2 August 2026

    David William Sheehan writes: I learned to read power from a puppet throwing toast. Most afternoons of my Irish childhood ended in front of The Den with Zig and Zag, two aliens on a couch, telling each other and occasionally the nation to feck off.
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  • An unlikely political animal

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    • 26 July 2026

    Jonathan Becker writes: When I was packing up my grandmother’s apartment in Chicago after she died, I found an unusual book among her otherwise conventional collection: Henry Miller’s ‘Tropic of Cancer’. It was many years later that I would learn the book’s significance.
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  • Homer lives

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    • 17 July 2026

    John Simmons writes: Is Homer the most influential writer of all time? We don’t know much about whoever he, she or they might have been, and we don’t know with any certainty how old the Iliad and the Odyssey are. They brought us the power of storytelling, and for that we should give them the highest praise.
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  • Spring colours in Zaporizhia

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    • 25 June 2026

    Rosemary Jenkinson writes: On April 16th, 2026 at 3 am I’m on the sleeper train to Zaporizhia in southeastern Ukraine when there is a loud rap on our four-berth compartment door.
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  • Elites and / or / versus Democracy

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    • 23 June 2026

    Michael Laver writes: Andy Burnham’s resounding defeat of the upstart right-wing Reform Party in the recent Makerfield byelection throws some light on the seemingly inexorable decline of ‘legacy’ parties on the centre right and centre left.
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  • The living and the dead

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    • 16 June 2026

    Mike Gogan writes on Bloomsday: ‘Yes, the newspapers were right: snow was general all over Ireland.’ This is one of quite a few yeses in the last paragraphs of ‘The Dead’, the final short story in ‘Dubliners’ by James Joyce. In ‘Ulysses’, which was written after, the last word of Molly Bloom’s soliloquy faintly echoes this, ‘Yes’.
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