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Find the Author

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Hiram Morgan writes: Manuscripts are the principal key to studying the history of England’s conquest and colonisation of Ireland in the sixteenth and seventeenth centuries. These include the Irish State Papers held in the UK National Archives at Kew in London as well as several other collections in public and private archives. One of the…
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Painting Light

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Ciarán O’Rourke writes: ‘Yours is the art that conveys / what the world is made of.’ So Eiléan Ní Chuilleanáin writes in ‘Instructions to an Architect’, imploring her interlocutor to ‘build me a shelter’, in anticipation of a future that seems already ‘fractured from the inside’. The poet too can redeem and repair a broken…
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John Barth: 1930-2024

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Kevin Power writes: It was John Barth’s achievement to become a significant figure without ever becoming a major, or even really a popular novelist. It was as if he decided, early in his career, that somebody had to be American Literature’s representative postmodernist, and that that somebody might as well be him. He filled the…
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Entering the Whirlpool

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David Barnes writes: Succession’s Frank Vernon likes ‘to recite Prufrock internally while we check we’re GAAP-compliant’ (Season Two, Episode Six). He goes on to suggest others ‘use whatever method you prefer to numb the pain’. GAAP are Generally Accepted Accounting Principles – principles that Waystar Royco, the corporate behemoth whose story is chronicled in HBO’s…
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The Grafton Wonderland

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Eoin O’Brien writes: Dublin’s Graftonia: A Very Literary Neighbourhood is the latest in a series of books by Brendan Lynch on the literary history of Dublin. It follows, in a logically progressive sequence, Parsons Bookshop: At the Heart of Bohemian Dublin (2006) and Prodigals & Geniuses: The Writers and Artists of Dublin’s Baggotonia (2011). In…
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The Irish Jew

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Maurice Earls writes: The Irish Jew, a comedy by John MacDonagh, had numerous successful runs in Dublin in the early 1920s. It was extremely popular, with performances usually twice a night. Billed as ‘Ireland’s Greatest Comedy’ and described as ‘easily the most successful play presented on the Irish stage during the present generation’, it was…
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Liberalism goes neo

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  John Fanning writes: Twenty years ago Martin Wolf, chief economics commentator of the Financial Times, published the bestselling How Markets Work, an extended hymn of praise to global business corporations operating under free market conditions, arguing that they were the most extraordinary instrument of economic growth and individual wealth in history. He went on…
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The Poet Says No

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Eve Patten writes: On December 10th, 1923, the poet WB Yeats addressed those gathered for the Nobel Prize ceremony banquet at the Grand Hotel in Stockholm. Speaking of the honour brought to Ireland by his award for Literature, he acknowledged a circle of fellow Irish writers who had worked to free their country from provincialism…
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From Page to Stage

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Enda O’Doherty writes: John Fleming has contributed pieces to the Dublin Review of Books over a good number of years: essays, book reviews, blog posts occasioned by the deaths of friends or admired figures in the music world. A few extracts may give the flavour of the Fleming prose style and the nature of his…
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The Dark Side – 50 Years On

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Martin Tyrrell writes: Half a century has passed since Pink Floyd released their game-changing album The Dark Side of the Moon. I first caught up with it some five years after the event, by which time it was already deeply unfashionable. Pink Floyd were the definitive progressive rock band – arthouse film soundtracks, an abortive…
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Dunsany’s Careless Abundance

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Robin Wilkinson writes: Whenever I came over from London to visit my cousins in Co Meath, long before the M3 cut a swathe through the Boyne Valley, I’d catch the Dublin to Kells bus and have the driver let me off at the turning to Tara. That meant moving up to the front at Ross…
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As the Path Continues

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Dr Struan Kennedy writes: This year marked the twenty-fifth anniversary of the signing of the Good Friday Agreement which formally ended thirty years of the conflict known as the Troubles. Naturally there has been a series of events commemorating this significant milestone which have, just as understandably, celebrated the achievements of those involved in bringing…
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  • For the Little People

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    • 29 April 2026

    Enda O’Doherty writes: Populists claim they represent the views of ‘ordinary people’, ignored by out-of-touch, ‘cosmopolitan’ political elites. But their methods of communicating with this segment of society are laden with calculation and condescension.
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  • Fleeing the Russian State

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    • 29 April 2026

    Alexander Obolonsky writes: Russia has something positive to present – both to itself and to the world. Alongside the dominant culture of subjugation, an alternative counter-culture of resistance has always existed and survived, even in the darkest times.
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  • Dropping the mask

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    • 29 April 2026

    Andy Storey writes: the old, better-managed order mourned by the writers in Foreign Affairs was no less violent and exploitative than Trump’s grotesque carnival of hustle and hubris.
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  • Reasoning Animals

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    • 29 April 2026

    Stephen O’Neill writes: What is stopping a conversation about a United Ireland which doesn’t knowingly inhabit the same structures that it seeks to replace, or repeat the same cliches and reinscribe the same privileges that those structures have perpetuated?
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  • The Berlin Fringe?

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    • 29 April 2026

    Maurice Fitzpatrick writes: The fiasco marring this year’s Berlin Film Festival shows once again that the most vital art does not emerge from approval but thrives on the margins. A lesson the BFF needs to (re)learn.
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  • Evidence of fullness

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    • 1 April 2026

    Ciarán O’Rourke writes: On the evidence of his work to date, Martin Dyar might be thought of as an able, and often savagely funny, dramatist of the universal human parish.
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  • Party Time Over?

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    • 1 April 2026

    Michael Laver writes: While ‘The Great Retreat: How Political Parties Should Behave and Why They Don’t’ by Didi Kuo adds to a burgeoning ‘decline of parties’ literature, are we to believe that this decline is part of a global pattern or more specific to the US?
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  • Centenary of ‘The Plough and the Stars’

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    • 1 April 2026

    Bess Rowen writes: 11 February 2026 marked a century since protesters disrupted Sean O’Casey’s ‘The Plough and the Stars’ by singing nationalist songs and rushing the stage.
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  • Semantic Escalation

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    • 1 April 2026

    Charlie Ellis writes: The English lexicon is famously hospitable. Much to the chagrin of prescriptivist sticklers, it is a language that greets new arrivals with open arms. We are accustomed to technological neologisms like ‘doomscrolling’, ‘podcast’, and ‘vibe coding’ and track them with the obsessive energy of a birder spotting a rare migrant.
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