"The drb sustains a level of commentary on Irish and international matters that no other journal in Ireland and few elsewhere can reach. It deserves all the support that can be given it." X
Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    Morsels for a Feast

    Edward Clarke
    Out of a few ‘crumbs’ - the greening blade of a crocus, a gnarly old olive tree, the chatter of finch, the clouds that drift aimlessly by - Mark Burrows has gathered in his new collection, like a busker in the subway or Christ in a desert place, enough to handsomely sustain us.
    More

    Noises from Beneath

    Angela Nagle
    Cyberutopians promised us the Internet would bring the end of hierarchies, industry, nationalism and gender oppression. But its political claims have proven largely empty while it has continued to spawn a particularly vicious male geek culture of obscenity and misogyny. Nagle’s essay, published in 2013, introduced themes which were later to be developed in her very successful book Kill All Normies (2017).
    More

    Oral Culture and Popular Autonomy

    Brian Earls
    William Carleton at times conceived of his great narrative enterprise as a form of naive ethnography, asserting that his stories contained more “facts” about Ireland than any previously published work. His sources were multiple, his sea of story extending from refracted folktales, via Victorian melodrama, to the most commonplace clichés of commercial fiction and, indeed, improving tales. At its heart are the narratives and other oral forms of the pre-famine Irish countryside. 
    More

    Folks Like Us

    Carlo Gébler
    The central characters in Bernard MacLaverty’s ‘Midwinter Break’ are frail, contrary, inadequate, self-serving, self-destructive, hopeless, hopeful, desperate, kindly, thoughtless, and all the other things that make people people. No wonder their story is so fascinating.
    More

    A Time In Between

    Éadaoín Lynch
    Éadaoín Lynch writes on the British literature of the Second World War. Writers such as Roald Dahl wrote directly about the experience of killing in combat, and the godlike power of mechanised warfare. The dominant mode of writing death and killing lay in understatement, detachment and voyeurism.
    More

    Giant Step

    Dick Edelstein
    While Geraldine Mitchell’s two preceding volumes of poetry were notably cohesive, in her new collection she constructs a more all-embracing context while maintaining an easily identifiable stylistic continuity. The result represents a considerable leap forward in her work.
    More

    Talking Heads

    Deirdre Serjeantson.
    As recently as 1996, an English editor of an edition of a seventeenth century play wrote in a footnote to explain to students a puzzling reference that “the Irish were notoriously cruel and bloodthirsty”. This of course is very much a matter of perspective. Both sides in the sixteenth and seventeenth century conflict in Ireland used extreme violence. The Elizabethan English tended to see Irish beheadings as savagery; their own decapitations were simply an expression of due process.
    More

    Inventing the Working Class

    Marc Mulholland.
    Karl Marx, born 200 years ago this month, was ‘a true and loyal friend, but a vehement and hateful enemy’. To be in his small circle was to feel part of something historic, but also to be exposed to constant critical scrutiny. Once he feared for his political reputation, Marx let no politesse hold him back. His correspondence with Friedrich Engels is full of unedifying abuse of almost everyone they knew.
    More

    Humanism Comes to Town

    Toby Barnard
    Many of the features of other European Renaissance cities were missing from Dublin: no vibrant centre of learning, only an attenuated court, little local printing. Yet traders, administrators, soldiers and clerics arrived from overseas, as did manuscripts and books.
    More

    Puttin’ On the Ritz

    Patricia Craig
    Zadie Smith is an opponent of dullness, mediocrity, pusillanimity and taking yourself too seriously; she is a champion, and in her work an embodiment, of position, attitude, rhythm and style, like her favourite dancers, Fred Astaire and Michael Jackson. Her essays afford not just pleasure but joy.
    More

Categories