Hiram Morgan writes: Manuscripts are the principal key to studying the history of England’s conquest and colonisation of Ireland in the sixteenth and seventeenth centuries. These include the Irish State Papers held in the UK National Archives at Kew in London as well as several other collections in public and private archives. One of the…
Ciarán O’Rourke writes: ‘Yours is the art that conveys / what the world is made of.’ So Eiléan Ní Chuilleanáin writes in ‘Instructions to an Architect’, imploring her interlocutor to ‘build me a shelter’, in anticipation of a future that seems already ‘fractured from the inside’. The poet too can redeem and repair a broken…
Kevin Power writes: It was John Barth’s achievement to become a significant figure without ever becoming a major, or even really a popular novelist. It was as if he decided, early in his career, that somebody had to be American Literature’s representative postmodernist, and that that somebody might as well be him. He filled the…
David Barnes writes: Succession’s Frank Vernon likes ‘to recite Prufrock internally while we check we’re GAAP-compliant’ (Season Two, Episode Six). He goes on to suggest others ‘use whatever method you prefer to numb the pain’. GAAP are Generally Accepted Accounting Principles – principles that Waystar Royco, the corporate behemoth whose story is chronicled in HBO’s…
Eoin O’Brien writes: Dublin’s Graftonia: A Very Literary Neighbourhood is the latest in a series of books by Brendan Lynch on the literary history of Dublin. It follows, in a logically progressive sequence, Parsons Bookshop: At the Heart of Bohemian Dublin (2006) and Prodigals & Geniuses: The Writers and Artists of Dublin’s Baggotonia (2011). In…
Maurice Earls writes: The Irish Jew, a comedy by John MacDonagh, had numerous successful runs in Dublin in the early 1920s. It was extremely popular, with performances usually twice a night. Billed as ‘Ireland’s Greatest Comedy’ and described as ‘easily the most successful play presented on the Irish stage during the present generation’, it was…
John Fanning writes: Twenty years ago Martin Wolf, chief economics commentator of the Financial Times, published the bestselling How Markets Work, an extended hymn of praise to global business corporations operating under free market conditions, arguing that they were the most extraordinary instrument of economic growth and individual wealth in history. He went on…
Eve Patten writes: On December 10th, 1923, the poet WB Yeats addressed those gathered for the Nobel Prize ceremony banquet at the Grand Hotel in Stockholm. Speaking of the honour brought to Ireland by his award for Literature, he acknowledged a circle of fellow Irish writers who had worked to free their country from provincialism…
Enda O’Doherty writes: John Fleming has contributed pieces to the Dublin Review of Books over a good number of years: essays, book reviews, blog posts occasioned by the deaths of friends or admired figures in the music world. A few extracts may give the flavour of the Fleming prose style and the nature of his…
Martin Tyrrell writes: Half a century has passed since Pink Floyd released their game-changing album The Dark Side of the Moon. I first caught up with it some five years after the event, by which time it was already deeply unfashionable. Pink Floyd were the definitive progressive rock band – arthouse film soundtracks, an abortive…