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CHEKHOV’S HAMMER

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“Behind the door of every happy, satisfied person,” wrote Chekhov in the story “Gooseberries”, “there ought to stand a man with a hammer whose constant knocking would be a reminder that there are unhappy people in the world, and that however happy he may be, life sooner or later will show him its claws and…
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MESSING ABOUT WITH RHYME

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There was an old man of San Remo Whose verses were sometimes quite lameo. While his middle lines rhymed As their syllables chimed His first and his fifth were the sameo. Frank McNally, in The Irish Times, pays measured tribute to Edward Lear, who was born two hundred years ago today. … in general his limericks…
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MOVEABLE TYPE, REMOVEABLE TEXT

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“The endless malleability of digital writing,” writes Nicholas Carr in the Wall Street Journal, “promises to overturn a whole lot of our assumptions about publishing.” “When Johannes Gutenberg invented movable type a half-millennium ago, he also gave us immovable text. Before Gutenberg, books were handwritten by scribes, and no two copies were exactly the same. Scribes…
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STORMING THE CITADEL

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Italo Calvino, in his playful late novel (1979) If On A Winter’s Night A Traveller, enters in the first chapter (or rather it is “you”, dear reader, who enters) a bookshop, with the settled purpose of buying Italo Calvino’s new novel, If On A Winter’s Night A Traveller ‑ hoping perhaps that it might be a bit better…
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WHEN BOOKS WERE BOOKS

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Alan Bennett in the London Review of Books (July 28th) writes on the difficulty of presenting on stage a convincing library, library in this case meaning not the august municipal public institution, such as Armley Public Library in Leeds where Bennett says he was educated as much as at school, but a private collection of books, “someone’s…
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MIŁOSZ IN HEAVEN

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Cynthia L Haven wrote in a recent Times Literary Supplement essay (November 23rd) about the wave of commemorations and celebrations that attended the hundredth anniversary this year of the birth of the great Polish poet Czesław Miłosz. Yet she emphasises the difficulties that many will have in understanding the now largely vanished world of religion and ideology…
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Shop Girls, High and Low

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The arrival of the department store at the end of the nineteenth century gave birth to a new social actor, the shop girl specialising in sales. Exploitation, of more than one kind, remained, but here was a figure with more pride and independence than the traditionally heavily oppressed grocery employee.
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Men at Arms

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The differing attitudes of Irishmen in the period from 1914 to 1922 and beyond can be seen through a brief history of three men. One of them, Emmet Dalton, served with distinction alongside Michael Collins. He had previously been in the British army, and he wasn’t ashamed of that.
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Vanishing Dublin II

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Flora Mitchell’s warm tribute – in words, ink and watercolour – to old Dublin, published in the mid-1960s, records the city at a time when much of it was about to disappear forever, a victim of better economic times and the optimism, and heedlessness of the past, that accompanied them.
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1-9 of 694 results
  • For the Little People

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    • 29 April 2026

    Enda O’Doherty writes: Populists claim they represent the views of ‘ordinary people’, ignored by out-of-touch, ‘cosmopolitan’ political elites. But their methods of communicating with this segment of society are laden with calculation and condescension.
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  • Fleeing the Russian State

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    • 29 April 2026

    Alexander Obolonsky writes: Russia has something positive to present – both to itself and to the world. Alongside the dominant culture of subjugation, an alternative counter-culture of resistance has always existed and survived, even in the darkest times.
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  • Dropping the mask

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    • 29 April 2026

    Andy Storey writes: the old, better-managed order mourned by the writers in Foreign Affairs was no less violent and exploitative than Trump’s grotesque carnival of hustle and hubris.
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  • Reasoning Animals

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    • 29 April 2026

    Stephen O’Neill writes: What is stopping a conversation about a United Ireland which doesn’t knowingly inhabit the same structures that it seeks to replace, or repeat the same cliches and reinscribe the same privileges that those structures have perpetuated?
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  • The Berlin Fringe?

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    • 29 April 2026

    Maurice Fitzpatrick writes: The fiasco marring this year’s Berlin Film Festival shows once again that the most vital art does not emerge from approval but thrives on the margins. A lesson the BFF needs to (re)learn.
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  • Evidence of fullness

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    • 1 April 2026

    Ciarán O’Rourke writes: On the evidence of his work to date, Martin Dyar might be thought of as an able, and often savagely funny, dramatist of the universal human parish.
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  • Party Time Over?

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    • 1 April 2026

    Michael Laver writes: While ‘The Great Retreat: How Political Parties Should Behave and Why They Don’t’ by Didi Kuo adds to a burgeoning ‘decline of parties’ literature, are we to believe that this decline is part of a global pattern or more specific to the US?
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  • Centenary of ‘The Plough and the Stars’

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    • 1 April 2026

    Bess Rowen writes: 11 February 2026 marked a century since protesters disrupted Sean O’Casey’s ‘The Plough and the Stars’ by singing nationalist songs and rushing the stage.
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  • Semantic Escalation

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    • 1 April 2026

    Charlie Ellis writes: The English lexicon is famously hospitable. Much to the chagrin of prescriptivist sticklers, it is a language that greets new arrivals with open arms. We are accustomed to technological neologisms like ‘doomscrolling’, ‘podcast’, and ‘vibe coding’ and track them with the obsessive energy of a birder spotting a rare migrant.
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