Death By Water
As poet laureate of Amsterdam, Menno Wigman took part in a scheme to memorialise in verse those in the city who had died alone. It seems an apt scheme for a poet whose work is marked by a particularly humane and democratic sensibility.
Colour Coding
In Cauvery Madhavan’s novel, May Twomey and her brother Gerry are the ‘Anglo-Indian’ descendants of an Irish soldier in the British army. A little like the Anglo-Irish – neither one thing nor the other – they feel somewhat outside society, once not white enough and now not brown enough.
The Hard Life
When he agreed to allow her to be his biographer Samuel Beckett told Deirdre Bair that his friends would help her and his enemies would also surely seek her out. She was to find that while Beckett was honourable if elusive, it could be hard to tell his friends and enemies apart.
A Plump Pillow
Japanese poets have traditionally taken pilgrimages to locations of great scenic allure, seeking out wondrous places that are so inviting, so lovely, that poems wish to settle in them. A German professor wakes from a disturbing dream and journeys to such a site. Why? He has no idea.
There Will Be Order
László Krasznahorkai’s new novel, ‘Baron Wenckheim’s Homecoming’, reveals the kind of dynamic, both economic and emotional-spiritual, that has facilitated Viktor Orbán’s Hungarian ‘koronadiktatúra’, a form of rule which also appeals to other central European would-be autocrats.
Kicking Against the Bricks
Lars Iyer’s new novel, like his previous work, pushes away from the heaviness and satisfaction of much contemporary fiction, with passion, wit and a combination of philosophical depth and comedic play that are engaging, frequently brilliant and joyous.
The God in the Attic
The astonishing achievement of Marieke Lucas Rijneveld’s writing is its construction of a world of metaphor and simile which is punctured and disrupted by the real. Her novel is the work of a poet, for whom the sensuousness of the material world is a reminder that to compare is to distort.
Drawing Death’s Sting
In ‘Origami Doll’, the poems of Shirley McClure’s entire career whisper to each other as the newer ones shed light on the earlier ones and vice versa. The whole represents a sort of ongoing conversation, underpinned by a stable philosophical view.
Acts of Hope
Poets can be parochial, powerful languages encouraging the sense that there is no need to look beyond their borders. Set against that, there is Osip Mandelstam’s ‘nostalgia for world culture’, a kind of alert openness, a feeling of being at home in an enlarged world of the spirit.