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Doctor and Humanist

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Kieran Murphy writes: How will you ever know someone else? The cask that houses their brain may be familiar to you, but their consciousness and preoccupations will always only be glimpsed. Their nuances, doubts, and ambitions will never be transparent. In 1986, when I was an intern at Jervis Street hospital in Dublin, Eoin O’Brien…
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Down Among the Dead Files

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Sean Byrne writes: On a wet and windy October morning in 1975 I presented myself, as instructed in a letter from the Civil Service Commission, at the Department of Posts and Telegraphs to begin work as an Administrative Officer. The main operations of the Department were then in the GPO and the offices were entered…
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Gerald Dawe: 1952-2024

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Katrina Goldstone writes: A month and a half before he died, I wrote to my friend the poet Gerry Dawe proposing we do a book together. A few times over our nearly thirty-year friendship, we’d talked about joint projects where our interests intersected. But it never happened, probably because Gerry was so prolific and disciplined…
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The Strasbourg Case

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Michael Lillis writes: In the summer of 1972 I was transferred from the Irish embassy in Franco’s Madrid, where I had served as a Third Secretary (the lowest form of diplomatic life) for four years, to the Department’s headquarters in Dublin and assigned to its new Anglo-Irish Division, which was dealing with the crisis in…
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Father’s Day

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  Dermot Hodson writes: Of the dark past A child is born; With joy and grief My heart is torn. Written on the occasions of his grandson’s birth in February 1932 and his father’s death two months earlier, the opening lines of James Joyce’s poem ‘Ecce Puer’ are among the author’s most personal. The strained…
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A Visit to the Deathhouse

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  Enda O’Doherty writes: Zadie Smith, in a NYRB review back in 2008 of a biographical essay on Franz Kafka by Louis Begley, made the to my mind somewhat unlikely connection between the (apparently) tortured Prague fabulist and the merely grumpy Hull librarian Philip Larkin. But while the comparison may not work across all departments,…
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Exporting the Poor

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Sean Byrne writes: As one of the Commissioners on Mother and Baby Homes, Professor Mary Daly, is a very distinguished historian, it is surprising that the consigning of so many single mothers to Mother and Baby Homes is not linked to Ireland’s economic underdevelopment from Independence to the 1960s. The report points out that Mother…
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Find the Author

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Hiram Morgan writes: Manuscripts are the principal key to studying the history of England’s conquest and colonisation of Ireland in the sixteenth and seventeenth centuries. These include the Irish State Papers held in the UK National Archives at Kew in London as well as several other collections in public and private archives. One of the…
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Painting Light

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Ciarán O’Rourke writes: ‘Yours is the art that conveys / what the world is made of.’ So Eiléan Ní Chuilleanáin writes in ‘Instructions to an Architect’, imploring her interlocutor to ‘build me a shelter’, in anticipation of a future that seems already ‘fractured from the inside’. The poet too can redeem and repair a broken…
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John Barth: 1930-2024

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Kevin Power writes: It was John Barth’s achievement to become a significant figure without ever becoming a major, or even really a popular novelist. It was as if he decided, early in his career, that somebody had to be American Literature’s representative postmodernist, and that that somebody might as well be him. He filled the…
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Entering the Whirlpool

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David Barnes writes: Succession’s Frank Vernon likes ‘to recite Prufrock internally while we check we’re GAAP-compliant’ (Season Two, Episode Six). He goes on to suggest others ‘use whatever method you prefer to numb the pain’. GAAP are Generally Accepted Accounting Principles – principles that Waystar Royco, the corporate behemoth whose story is chronicled in HBO’s…
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The Grafton Wonderland

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Eoin O’Brien writes: Dublin’s Graftonia: A Very Literary Neighbourhood is the latest in a series of books by Brendan Lynch on the literary history of Dublin. It follows, in a logically progressive sequence, Parsons Bookshop: At the Heart of Bohemian Dublin (2006) and Prodigals & Geniuses: The Writers and Artists of Dublin’s Baggotonia (2011). In…
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  • Evidence of fullness

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    • 1 April 2026

    Ciarán O’Rourke writes: On the evidence of his work to date, Martin Dyar might be thought of as an able, and often savagely funny, dramatist of the universal human parish.
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  • Party Time Over?

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    • 1 April 2026

    Michael Laver writes: While ‘The Great Retreat: How Political Parties Should Behave and Why They Don’t’ by Didi Kuo adds to a burgeoning ‘decline of parties’ literature, are we to believe that this decline is part of a global pattern or more specific to the US?
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  • Centenary of ‘The Plough and the Stars’

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    • 1 April 2026

    Bess Rowen writes: 11 February 2026 marked a century since protesters disrupted Sean O’Casey’s ‘The Plough and the Stars’ by singing nationalist songs and rushing the stage.
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  • Semantic Escalation

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    • 1 April 2026

    Charlie Ellis writes: The English lexicon is famously hospitable. Much to the chagrin of prescriptivist sticklers, it is a language that greets new arrivals with open arms. We are accustomed to technological neologisms like ‘doomscrolling’, ‘podcast’, and ‘vibe coding’ and track them with the obsessive energy of a birder spotting a rare migrant.
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  • A Political Exile

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    • 18 December 2025

    Thomas McCarthy writes: A poet and former director of Poetry Ireland, Theo Dorgan has already written a number of successful prose works, including ‘Voyage Home’, his marvellous logbook of an ocean voyage from Antigua to Kinsale on the seventy-foot schooner ‘Spirit of Crosshaven’.
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  • Yes We Can

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    • 15 December 2025

    John Fanning writes: Earlier this year I saw the film ‘Mountainhead’, the new Jesse Armstrong production continuing his exposure of the rich and powerful following the success of the Murdoch family saga ‘Succession’. The characters featured are all filthy rich tech bros, some easily identified: Musk, possibly Sam Altman.
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  • Getting in Close

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    • 5 December 2025

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  • A Pinch of Salt

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    • 4 December 2025

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  • Tom Stoppard: 1937-2025

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    • 4 December 2025

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